‘Edenbray in Exile’
A Retrospective Anthology of 50 Poems, Articles and Essays
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Rejection
AN UNFINISHED POEM
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The snow of ’63
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That bad winter when the snow was piled high was the first shot
It ricocheted on ice leaving a double echo hanging in the frozen air
As it slid, an arctic sidewinder, the full length of a tortured sled-track
Not sure if Etienne had said to me, Is there something more I can do?
That I would have learned to cry then, those tears that melt the snow
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Something looms over the banks, over the deep crusted hard-pack
It’s a silence you can hear, the shadow of a huge bird passing
When you know you are alone, even with people in your home
We never learn to be lonely, we bring it when we pass the gorge
From eternity’s darkest night into history’s brightest dawn
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Icy glaciers run cold today with the missing tears of that golden age
When ignorance raped nature’s store and turned her to a common whore
But when the second shot rang out and the curtain fell in Dallas
Jackie held her husband’s brains in tender hands and we all cried
For the baby-boomers like me and Jen, something genuine that day died
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And then upon the snowy scapes, we learn to love again
Plunge our hands into the icy flow and watch the mountain grow
Within an atmosphere of coldest breath, without the hostility of death
Pluck the sweetest flowers born, shout the loudest words we’ve ever sworn
Curse the mighty behemoth from his slumber, with eyes of red and thunder
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Then a third shot sounded, it took me down, limp and broken to the ground
Ice drained deep beneath my skin, the cruelest capers speak the ugliest sin
To turn away a heart as trusting on a night as cold and rank was disgusting
The snow leopard pads the highest parts, a mother learns to bare her heart
To make her family sure and safe when life’s harsh moments scrape their face
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A berry picked, shared or given, to the cub with no will for living
Rain falling in the desert, coats for street children, kind words to a victim
Abuse of child-love cannot be measured, love that always should be treasured
When the skip returns to a broken step, its’s always love that lays that path
Not else can light that darkest shaft into the misery of a soul’s rejected past
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always unfinished .. .
writtenbyedenbray26/03/2018
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‘.. . love that always should be treasured’
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A PHOTO GLOSSARY OF TERMS USED for THE UNFINISHED POEM
“REJECTION”
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DALLAS – November 1963
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‘Icy glaciers run cold today with the missing tears of that golden age’


‘For the baby-boomers like me and Jen, something genuine that day died’

‘Pluck the sweetest flowers born, shout the loudest words we’ve ever sworn’

.The snow leopard pads the highest parts, a she-mother learns to bare her heart’

‘A berry picked, shared or given, to the cub with no will for living’
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GLOSSARY:- Ettienne – Steve
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#Authors Note : Good poetry should contain a hint of mystery and enigma, that is my view. I do not say this by way of introducing my own piece here reviewed, but out of tact and tasteful consideration and to introduce an idea. Neither would I wish to suggest that in my view – my poetry is either ‘good’ or even close.
Rejection – AN UNFINISHED POEM it turns out is of a most experimental notion. The notion that domestic pain and distress may be healed but still leave a scar that even the most repaired and readjusted will find themselves fingering from time, to time. Whether out of sad regret or of painful scarred-tissue memory, the victim rarely mounts the horse it fell from without a second thought.
At this sad time amidst the turmoil of the Covid-19 pandemic we have been made aware of those for whom lockdown adds no relief from suffering as they themselves are victims of another curse – their abusive domestic partners or parents.
Rejection is another silent foe that niggles, undermines and hampers its victims for years as clearly as those in post-virus recuperation may find in the coming days, denying quality of life and peace within, as certainly as those who harbour painful memories of a more physical nature.
Not wishing to necessarily ‘blow the gaff’ on this piece or ‘tell tale’ but the novel notion this verse conceals and reveals in pretty much equal quantity, is that those shots that rang out in Dallas in November 1963 at the assassination of JFK provide a kind of terrible punctuation to the telling of my biographical story of personal pain around that same time in the early sixties. The JFK narrative provides a ballast to my sad story, according to the thinking that there is always someone with a sadder tale to tell than our own.
~ edenbraytoday
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EDENBRAY in EXILE – 31 – the flag
‘Edenbray in Exile’
A Retrospective Anthology of Poetry, Articles and Essays
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THE FLAG
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▪️ ▪️
We fold the flag away
Either by length or width
Never by height or colour
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We listen to the neighbours woe
Cover our eyes gladly with the corn
That grows through our window
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Swaying in the breeze gently
Golden corn we hold in our hands
The summer fun has begun
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So sadly the flag now folded
Of causes, conflicts and clatter
Things now that no longer matter
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writtenbyedenbray02.02.2015
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illustration: by edenbray ~ ‘the man with the wooden gun’
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#Authors Note : Just 20 more Poems, Articles & Essays will complete Edenbray’s 2nd Retrospective Anthology – Those written Post – 2013 will sit alongside an Earlier Compilation Posted – late 2019 – early 2020.
This piece and/or the notes around it do not represent any strong personal political or anti-democratic view – they represent a purely, artistic and hypothetical submission – more along the lines of a – what if? An Imagine-2 – if you like? I only add this as an extra rider not out of fear or misunderstanding but to support the artistic freedom and idealism edenbrays whole portfolio represents. ~ ”The personal life is not dead’
‘The Flag’ was inspired by an Oil Painting by the Author – which was completed in early 1986. The painting itself although not my greatest work I feel does has a certain naivete and contains a powerful hypotheses. The painting depicts a “Universal Soldier” standing in a muddy field of battle and in front of a Universal Flag ,with no recognisable link to any nationality, creed or religion – The soldier is carrying a fake, replica, wooden rifle, basically a piece of shaped industrial timber – The theme of the Painting is loosely based on the lyric from John Lennon’s early 1970’s song –‘Imagine’ which dramatically challenged the Author at the age of 20 years and helped greatly in his spiritual development at that time.
The ‘wooden gun’ idea concept was introduced from a separate source – a shared dream – that a troubled, young, pentecostal bible-student called Michael told me about over a curry way back in 1972. The imagery related to an interpretation of a dream Michael had that concerned the devil himself and which suggested that Satan worries us and threatens us but actually has no effective weapon to destroy us as his weapon is a bluff, a harmless wooden gun!
I decided to ‘smash’ these two concepts into the one painting and while the Poem includes no obvious non-nationalistic or non-religious imagery it is written in the same style as the painting excepting that it is a lot more ‘unplugged’ and minimalistic.
As with a lot of these chosen Retrospective selections – this piece, written 5 years ago, seems to gel uncannily with the mood of life we have today in 2020, while under Covid-19 Lockdown restrictions. ~. edenbraytoday
It isn’t hard to do
Nothing to kill or die for
And no religion, too
Living life in peace
But I’m not the only one
I hope someday you will join us
And the world will be as one
I wonder if you can
No need for greed or hunger
A brotherhood of man
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