DESOLATION ROW

They’re selling postcards of the hanging
They’re painting the passports brown
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They’ve got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad, they’re restless
They need somewhere to go
As lady and I look out tonight, from Desolation Row

Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets, Bette Davis-style
And in comes Romeo, he’s moaning
“You Belong to me, I believe”
And someone says, “You’re in the wrong place
My friend, you better leave”
And the only sound that’s left after the ambulances go
Is Cinderella sweeping up on Desolation Row

Now the moon is almost hidden
The stars are beginning to hide
The fortune telling lady
Has even taken all her things inside
All except for Cain and Abel and the hunchback of Notre Dame

Everybody is making love or else expecting rain
And the good Samaritan, he’s dressing
He’s getting ready for the show
He’s going to the carnival tonight on Desolation Row

Now Ophelia, she’s ‘neath the window
For her I feel so afraid
On her twenty-second birthday she already is an old maid
To her, death is quite romantic, she wears an iron vest
Her profession’s her religion, her sin is her lifelessness
And though her eyes are fixed upon Noah’s great rainbow
She spends her time peeking into Desolation Row

Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago with his friend, a jealous monk
He looked so immaculately frightful as he bummed a cigarette
As he went off sniffing drainpipes and reciting the alphabet

Now you would not think to look at him
But he was famous long ago
For playing the electric violin on Desolation Row

Dr. Filth, he keeps his world inside of a leather cup
But all his sexless patients, they’re trying to blow it up
Now his nurse, some local loser
She’s in charge of the cyanide hole
And she also keeps the cards that read
“Have mercy on his soul”
They all play on the penny whistles, you can hear them blow
If you lean your head out far enough from Desolation Row

Across the street they’ve nailed the curtains
They’re getting ready for the feast
The Phantom of the Opera, a perfect image of a priest
They’re spoon-feeding Casanova
To get him to feel more assured
Then they’ll kill him with self-confidence
After poisoning him with words
And the Phantom’s shouting to skinny girls
“Get outta here if you don’t know
Casanova is just being punished for going to Desolation Row”

Now at midnight all the agents and the superhuman crew
Come out and round up everyone that knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders and then the kerosene
Is brought down from the castles by insurance men who go
Check to see that nobody is escaping to Desolation Row

Praise be to Nero’s Neptune, the Titanic sails at dawn
And everybody’s shouting, “Which side are you on?”
And Ezra Pound and T.S. Eliot fighting in the captain’s tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea where lovely mermaids flow
And nobody has to think too much about Desolation row

Yes, I received your letter yesterday
About the time the doorknob broke
When you asked me how I was doing
Was that some kind of joke?
All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name
Right now, I can’t read too good
Don’t send me no more letters, no
Not unless you mail them from Desolation Row

Guest Poem: Songwriter: Bob Dylan

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edenbray comments:~

ALAN GINSBERG STATED BACK IN THE 60’s/70’S THAT DYLAN WAS THE ONLY TRUE POET OF THE 20TH CENTURY – PERHAPS HARSH ON QUITE A FEW OUTSTANDING WRITERS THAT COME TO MIND FROM THAT PERIOD – BUT THEN AGAIN IN PIECES LIKE ‘DESOLATION ROW’ – DYLAN IS AT HIS MOST ACCOMPLISHED – POURING OUT VITRIOLIC METAPHOR AND ROMANTIC AFFECTION WITH THE SAME BREATH WHILE APPLYING SURREAL MAD-HATTER STYLE SATIRE WITH RELENTLESS, COMIC VICISSITUDE –

AT THIS STAGE OF HIS LIFE – DYLAN WAS INDEED ‘CENTRE-STAGE’ AND LOVING EVERY MEANINGFUL SECOND OF IT – THE WORDS JUST TUMBLE OFF HIS TONGUE LIKE SMOOTH, BURNING OIL – HE IS ALL THAT GINSBERG SAID HE WAS, MORE ACTUALLY AND A TROUBADOUR TO BOOT! – HEART-WARMING SATIRE THAT REEKS OF ORWELL’S – CLERGYMEN’S DAUGHTER, KEROUAC’S – ‘ON THE ROAD’ WITH MAYBE JUST A SLICE OF CLOCKWORK ORANGE ON THE SIDE – A VERITABLE COCKTAIL OF HAND-GRENADE LINES!

🍊they don’t make them like that anymore – except that you ignore MOZ at your peril! #Morrissey