
.
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ORION SPEAKS
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…
It would take too much time to tell the tall man all the mighty moments he had stored
Aboard the centrifugal, the stargate frugal, the narrowest way known to heaven
And he surrounded with adorned pleasure, only this the measure of a stargaze warp
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And Delaware, a mystic rose whose gown floats above any battle-scarred morning
She of sweeter disposition, she strong, mighty in battle, like a Boadicea on her chariot
Golden as the palace of Versailles where all is wooden like chess pieces in a drama
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We are always just voyeurs, stepping in and then stepping out, uncertain, yet nervous
Like two small children faced with the problem of adulthood bearing down upon us
No wonder Gerollitas’ generation had that real problem with acceptance and worth
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I have missed your warm smile and your attention, I digress to the point of annihilation
Only smooth talkers, aristocrats and charlatans eventually find a way with words
The rest of us struggle like warm wasps on the scent of Mexican hunny or fresh apples
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The accolade interrupted by moon-worshippers heading west to greet a ‘brand new day’
Where sonnets roll around the yard like blue grass tumbleweed, hogs snort contented
And all this while, sound Orion’s gassy surface pumps light into our chosen hemisphere
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A madrigal plays on softly, borrowed from another time and the latin quarter
Herecles still spinning wool, has surrendered his club to serve Lardanus’s daughter
Even great legends like Hercules or JFK can bow submissive to passions disorder
…
And there’s always a silly wren hopping around inconstant and shallow as a limpet
Clouds can be so disarming, vivacious, yet threaten, they are prone to characterisation
Dispassionate, an undervalued word in a psychiatric world where ambiguity is desired
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The choices we make, so often strapped to Orion’s belt, drifting ever so slightly
Orion, caught in the dark sky awaiting the makers time to throw off his hunters caution
Climb the seven steps, jettison the seven stars, the sisters who are tied to Orion’s girth
…
Ainitak, Ainilam and Mintaka beautiful names three, but were these the names chosen?
Or the names spoken of in the great counsel where sit the elders golden, twenty four?
Who cast their crowns down by virtue of their knowledge of Job’s understandable folly
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O bright counsel informs the stars brighter than the planets, the knowledge of the free
O marvellous reason that unfolds the seasons to offer words of hope to the bold Orion
Caught in Samson’s madness, overcome by the sadness only the pure must endure
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Arise, shake off the morning, pledge the moon, salute the burning sun and stars,
Write words in sand, travel long, acknowledge now that time like Orion is not free
Run to greet the crashing waves of futures dawning, surely Orion’s summer has come
…
The sisters sound the warning, cascading and drawing, lines of perspective in the sky
We learn much from tales of splendour, prophets candour, the rigmarole of anger
An unfurled banner, as Apollo’s lie and bad manners direct Artemis’s arrows as they fly
…
The arena of consequence is now settled like an evening sky, the band play Perfidia
Even Orion cursed by this polygamy of treachery and betrayal awaits his redemption
The old man of the night bound by satans light, cross-referenced to his heathen plight
…
The dichotomy of reason hides so well the magical and submissive virtue that was Isaac
History’s vaults released some 10, some 20, yet the unknown is also known by its father
The truth set free for all to see attended by the spill of wine, sounds of joyous laughter
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Collect the pages now, assemble them in order, bind them down with cord and gum
Clear the back room, Gallileo’s horn points t’ward the sky, Caxton’s press of ink runs dry
Guttenberg, a godlike hero like Alexander Graham Bell, Newton, Maximillian Schell?
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Absurdity, nestles in with honesty and valour, frailty and discord find no place in Valhalla
Asgaard’s mountains resound with echoes of heroes fallen, not tales of treachery
Within such silver vaults, Orion and the brothers walk and talk of mankind’s destiny
…
There is not time to tell of all embroidered yarns, plaitted curls on Adam’s tattoed earth
Or book a seat alongside mother Eve, watch commentary of her iconic, anguished birth
The globe turns slowly for the lost and lonely who look hard for the noble and holy
…
Orion speaks into a chaos, a catastrophe, centred around metropolis’s pained contusion
We all sit, full of learning in the counsel of King Arthur, knights who wait for their end
Summon Jupiter, Methuselah, Odin’s son, the counsel of the wise, armed with weapons of iron
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Hammer the breastplate, gild the helmet, mount the white horse, rouse the sentry
Here we, masters of our inheritance, regal champions who slew Behemoth in turn
Circle like crows beneath the dome of Andromeda, afeared the hunters beak and claw
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There steps forth then, as bold to speak, from out the carbon skies
One who has listened deep and cold to many stories, myths, and to their many lies
Not a fourth comforter whose disgrace and pain of shame never were well hidden
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A bright star listed in the book written by the heart of god if not by his injured hand
Collected words from a sorry band of misfits, harlequin and humbled rogues
Who in their weakness and their folly, sowed frailty and brokenness, to cut a slice of holy
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Orion speaks for those with fears, for those who stand a little nervous in Jibrails hall
For those who stepped outside the tent, whose eyes arched away from heaven
Who true of heart, enjoy the strangest loyalty to Pleiades band of seven
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Listen now ye coldest moon who lights the bleakest beacon and ye dumb Trojan horse
Whose wooden, blanket eyes hide the stench of good men stolen, listen as Orion speaks
He understands your treason, shows pity, understanding, God’s mercy, bronze-swollen
edenbraytoday
Ref. 02092020
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#AUTHOR’S NOTE
In common with a lot of my recent work and in part motivated by a habit I picked up during my recent CV-19 Isolation, I have taken to writing a kind of PREQUEL – FOREWARD – an ‘AFTERWARD’ if you will but at any rate an Author’s ‘comment’.
I do this, not by way of translation but rather as a suggestion or possibly a more attainable connection. Poetry is actually how I prefer to communicate with others but its a hard language with which to develop relationships.
‘ORION SPEAKS’ as a written piece has been brewing a long time inside and I’m still not sure its finished. ‘Distilling’ may actually be a better choice of word than brewing.
It forms a ‘pair’ with the TRIALS OF MILES BLACKMAN which I also may open up and work some more on. A POEM is a sculpture that is never finished, a story that really has no conclusion. There may even be a 3rd Part to follow.
ORION is a mannequin upon which to hang my clothes and it might also be termed ‘autobiographical’, I’m not certain I can claim that.
Can you step away from EARTH for a brief ten minutes to view the stars and ‘listen’?
Can you search your soul for one brief hour and consider in truth our beginning?
ORION has been important throughout the story of mankind. ORION SPEAKS and has spoken to many generations.
edenbraytoday – 3rd. August 2020
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REFERENCE GLOSSARY:
PSALM 147:4
He determines the number of the stars; he gives to all of them their names.
JOB 38:31
“Can you bind the chains of the Pleiades or loose the cords of Orion?”
JOB 38:1-41
Then the Lord answered Job out of the whirlwind and said: “Who is this that darkens counsel by words without knowledge? Dress for action like a man; I will question you, and you make it known to me. “Where were you when I laid the foundation of the earth? Tell me, if you have understanding. Who determined its measurements—surely you know! Or who stretched the line upon it? …
AMOS 5:8
He who made the Pleiades and Orion, and turns deep darkness into the morning and darkens the day into night, who calls for the waters of the sea and pours them out on the surface of the earth, the Lord is his name; AMOS
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The Orion Arm is a minor spiral arm of the Milky Way Galaxy that is 3,500 light-years (1,100 parsecs) across and approximately 10,000 light-years (3,100 parsecs) in length, containing the Solar System, including Earth.
Orion’s Belt or the Belt of Orion, also known as the Three Kings or Three Sisters, is an asterism in the constellation Orion. It consists of the three bright stars Alnitak, Alnilamand Mintaka. Looking for Orion’s Belt in the night sky is the easiest way to locate Orion in the sky.
Which star shines the brightest?Sirius ASirius A and B. The brightest star in the sky is Sirius, also known as the “Dog Star” or, more officially, Alpha Canis Majoris, for its position in the constellation Canis Major. Sirius is a binary star dominated by a luminous main sequence star, Sirius A, with an apparent magnitude of -1.46.
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“Over 25,000 individual measures of the Pleiades stars are now available, and their study led to the important discovery that the whole cluster is moving in a southeasterly direction. The Pleiades stars may thus be compared to a swarm of birds, flying together to a distant goal. This leaves no doubt that the Pleiades are not a temporary or accidental agglomeration of stars, but a system in which the stars are bound together by a close kinship.” From our perspective on Earth, the Pleiades will not change in appearance; these stars are marching together in formation toward the same destination, bound in unison, just as God described them.
…

Two of the greatest of its stars, Betelgeuse and Rigel, possess, as far as has been ascertained, no perceptible motion across the line of sight, but there is a little movement perceptible in the ‘Belt.’ At the present time this consists of an almost perfect straight line, a row of second-magnitude stars about equally spaced and of the most striking beauty. In the course of time, however, the two right-hand stars, Mintaka and Alnilam (how fine are these Arabic star names!) will approach each other and form a naked-eye double, but the third, Alnita, will drift away eastward, so that the ‘Belt’ will no longer exist.” Unlike the Pleaides clusters, the stars in the band of Orion do not share a common trajectory. In the course of time, Orion’s belt will be loosened just as God told Job.

ORION and
ARTEMIS












I, A SKINHEAD IN CROYDON TOWN – 1968
I, A SKINHEAD IN CROYDON TOWN – 1968
SUB HEADINGS :
when Croydon was Reggae City – the Boss and Scottie
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On the London Road, south of Brixton, eight mile north of Coulsdon South
Two friends had slipped the cordon’s leash down the road from Banstead Heath
Notoriety and fame, inside a Consul convertible, they rode to light the fires of youth
That eternal, adolescent flame – tho’ we were still but children playing adult games
In a playground of our choosing, a culture fuelled by boozing and music Caribbean
Cropped-haired girls, shaven-haired lads, intoxicated for a season, drawn by that age-old reason
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Let loose on a four-bar beat, a syncopated rhythm, culture born of immigration schism
At a time before glam, punk, American pie, when non-LGBT males had no wish to die
Around the brag and dazzle of boy-girl seditions, under a veil of virginal permissions
She learned to drink babycham, attend to boys emissions, excepting all conditions
He was out for tottie cruising, learned to play the game so well, terrified of losing!
Collected girlfriends, proficiency badges, a young gigolo who could talk to the ladies
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We shared a bed like brothers, not like real lovers, at his parents home near Sutton,
Intoxicated by beers, we shared our hopes and fears, planned our next night out
We never got in fights, earned the right to go on double-dates, we were solid mates
The modesty of the age was far less specific, far more erotic due to a shared naiveté
In truth, a generation raised on Andy Pandy and Woodentops struggled to get randy
Her brand new skates, his brand new key and a wet halfpenny between her knees
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Teddy boys, beatniks, rockers, looking over her mod-suit, mohair shoulder,
Saw right through her ‘Chelsea’ cut, she tried to look like a skinhead slut,
Talk dirty, wear suits with a slit in her skirt that was split to halfway up
Yet the face she wore betrayed her moral choices, a blur of ‘ten’ adolescent voices
Susie would much rather grasp his shiny key and choke his splendour
Than risk explaining to her mother how her little girl became a sixties lover
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Tailored, tonic mini skirts and tops discreet, 60’s mod-girls never flashed their teats
Faces pale as pastry, eye-shadow huge, baby cheeks coloured with just a little rouge
Working class girls, sound as a pound, from the top of their heads to their feet on the ground
Accepted attention to their cups and their plates, only allowed on pre-arranged dates
She knew his good-night kiss, that fumbled feel inside her skirt might require a tissue
But as long as she kept her honour – ‘the pill’ wouldn’t become an issue
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When we were jaunty, walking the streets – ‘All ye skinheads put ya’ boots on yer feet’
Ben Sherman shirts, masted jeans, with roll-over tops and braces
The boys at the disco wore shiny suits, the girls cropped haircuts were honest-cute
Though the papers talked of roving gangs who terrorised London
That being the age-old duty of the press – struth! – in truth, in Croydon Town
You would struggle, to find a better vintage of youth, on or off the vine
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Where I was raised, upside of sleepy Cheam, identity was not there for the taking
Post-war rationale shaped your life, all that what was expected was a job and a wife
Youth culture was only just emerging and only Billy Butlin offered any hope
So we learned how to dance at the Croydon Suite, to Jamaican bands, a reggae beat
Journeyed to Balham, to an all-blacks store, next to the station to buy some more
Or at the Music shop in London Road, Croydon where you could buy your 45 Trojan’s
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The panic we carried was nothing to today, violence was minimal whatever they say
The press they love to exaggerate, from Primrose Hill to Watergate
The scariest place I have ever been was a trip to Crystal Palace Hotel Reggae Night
Where each Saturday at the Disco you could dance to ska, reggae and rock-steady
The place and the faces there, were as black as coal, the Rude-boys ruled the show
Scottie and I, with his shaved blonde head, were the only white boys I saw that night
Then a Rude-boy placed a blade to his back and whispered coldly in his ear
‘White boy you don’t belong in here, don’t ever come back!’
… so we never did!
edenbraytoday
Ref. 12092020
Authors Note
Yes, I was a skinhead in Croydon Town 1966 – 1970!
The relationship between white skinheads and black culture is a hard one to explain. Back in the 60’s, generally, black boys, they humoured us but never welcomed us. The skinhead fascination and love of West Indian music and culture was no doubt in part, prompted psychologically by a recognition that black people had been downtrodden, misunderstood and in lots of ways annexed by middle-class white society. A perfect background resume for an anti-establishment cult-trend you might say. That skinhead cultural shift might even appear today as an early step towards BLM. Unfortunately the facts do not support this idea. The truth is, that us white boy skinheads, suede heads, peanuts, hard-mods, whatever you might have called us back then, were seen by working-class black boys as culture vultures! They saw our interest in their music as intrusive, as an attempt at yet another form of racist exploitation and an attempt to steal and enslave something that was theirs by birth-rite and blood – we weren’t really welcome in their clubs, bars and establishments and generally they didn’t like us or visit ours. It also should be noted that despite enjoying black music and culture, other skinhead hotbeds around the country could be overtly racist with early links to groups like the National Front which kind of creates a cognitive dissonance when attempting to comment on the whole ‘skinhead’ cultural history. It can only be explained I suppose by recognising there were many different outworkings of the cult-fashion-trend and after all we are talking about – Croydon, where the terms suede-head. that Morrissey later sang of and even peanuts were as frequently used to describe skinheads way back in 1967.
Young white girls who tried to retain their moral convictions in white-white relationships, preferring a culture of heavy-petting and male or even mutual masturbation to full sex became easy-prey to black boys whose interest in them was far more direct, sensual and in some cases, definitely predatory. White skinhead girls in Croydon dated black guys as a kind of badge they wore, seeing black boys as the ‘real deal’ and often these girls submitted to the notion of full-sex with black guys whilst in white-white relationships they would defer and offer a hand-job substitute. You have to understand that many parents of teenage girls in both working class and middle class cultures were still reluctant in the mid-sixties to encourage their daughters to take the pill, fearing it would lead to promiscuity and so young people often relied on ineffective condoms as their only means of birth control. Consequently, as birth control and ‘the pill’ were still taboo subjects, many young, white girls became pregnant to black fathers who then sadly then dumped them, I personally knew of several girls who had this happen. Of course there were notable and very happy exceptions to this rule many of whom have gone on to enjoy happy and faithful relationships.
It was only really the arrival and mainstream acceptance of artists like Eddie Grant, Bob Marley and performers like Jimmy Cliff and Desmond Dekkar who alongside white artists who performed ‘reggae’ style songs such as the Beatles, the Specials and UB40 that black youth eventually set free the reggae genre and moved on to other more exclusive and radical black music-styles like rap, hip-hop, gangsta etc.etc.
~ ~ ~
Authors Final Postscript
I agree, this is as raw and basic as it gets. This piece was an experiment in poetry.
Adolescence is far from pretty – It’s fragile, vulnerable, selfish and messy.
It’s about what I need and what I can get whilst I metamorphosize from a child into an adult. Poetry should not always be fine and pretty and honourable, sometimes it should be human, awkward and shitty. There is no one more disillusioned, freaked out, uncool than an adolescent youth. No one has more questions to ask than a young adult. No one is more ashamed of their humanity and its degradation. No one needs more understanding and care and love and support than the adolescent and sadly no other age of young people got less than we did in that time of perceived plenty after the war when apparently we had never had it so good and we should have thought ourselves lucky.
Don’t judge my poem because its not Wordsworth, Byron or Shelley. Understand its honesty, naiveté, its simplicity, its youthful sway and you may discover it is charming.
Therefore, despite it’s sharp rough edges and lack of discernment and taste I’m leaving this poem here on my page as one of my ‘That’s Me In The Middle’ Series of Poems.
It’s autobiographical, very very honest, it’s funny and what’s more it’s true.
edenbraytoday ~ 14th September, 2020
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